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AB

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Dark Carnival, 1947

The Illustrated Man, 1951

The Golden Apples of the Sun, 1953

The October Country, 1955

A Medicine For Melancholy, 1959

R Is For Rocket, 1962

The Machineries of Joy, 1964

The Vintage Bradbury, 1965

S Is For Space, 1966

I Sing the Body Electric, 1969

Long After Midnight, 1976

A Memory of Murder, 1984

The Toynbee Convector, 1988

Quicker Than The Eye, 1996

Driving Blind, 1997

One More for the Road, 2002

Bradbury Stories: 100 of His Most Celebrated Tales, 2003

The Cat's Pajamas, 2004

Summer Morning, Summer Night, 2007

We'll always have Paris, 2009

Uncollected

Bang! You're Dead!, 1944


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Banshee, 1984


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Beasts, 2002


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The Beautiful Lady, 2007


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The Beautiful Shave, 1977


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The Beggar on O'Connell Bridge, 1961


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The Best of All Possible Worlds, 1963


The two men sat swaying side by side, unspeaking for the long while it took for the train to move through cold December twilight, pausing at one country station after another. As the twelfth depot was left behind, the older of the two men muttered, "Idiot, Idiot!" under his breath.

"What?" The younger man glanced up from his Times.

The old man nodded bleakly. "Did you see that damn fool rush off just now, stumbling after that woman who smelled of Chanel?"

"Oh, her?" The young man looked as if he could not decide whether to laugh or be depressed. "I followed her off the train once myself."

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The Better Part of Wisdom, 1975


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The Big Black and White Game, 1945


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The Black Ferris, 1948


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A Blade of Grass, 1949


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Bless Me, Father, for I Have Sinned, 1984


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The Blue Bottle, 1950


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Boys! Raise Giant Mushrooms in Your Cellar! (Come into My Cellar), 1962


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Bright Phoenix, 1963


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Bug, 1996


Looking back now, I can't remember a time when Bug wasn't dancing. Bug is short for jitterbug and, of course, those were the days in the late thirties, our final days in high school and our first days out in the vast world looking for work that didn't exist when jitterbugging was all the rage. And I can remember Bug (his real name was Bert Bagley, which shortens to Bug nicely), during a jazz-band blast at our final aud-call for our high school senior class, suddenly leaping up to dance with an invisible partner in the middle of the front aisle of the auditorium. That brought the house down. You never heard such a roar or such applause. The bandleader, stricken with Bug's oblivious joy, gave an encore and Bug did the same and we all exploded. After that the band played "Thanks for the Memory" and we all sang it, with tears pouring down our cheeks. Nobody in all the years after could forget: Bug dancing in the aisle, eyes shut, hands out to grasp his invisible girlfriend, his legs not connected to his body, just his heart, all over the place. When it was over, nobody, not even the band, wanted to leave. We just stood there in the world Bug had made, hating to go out into that other world that was waiting for us.

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The Burning Man, 1975


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By the Numbers!, 1984


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