Dandelion Wine (из "Вина из одуванчиков"), ?
Dark They were, And Golden Eyed (The Naming of Names), 1949
The rocket's metal cooled in the meadow winds. Its lid gave a bulging pop. From its clock interior stepped a man, a woman, and three children. The other passengers whispered away across the Martian meadow, leaving the man alone among his family.
The man felt his hair flutter and the tissues of his body draw tight as if he were standing at the centre of a vacuum. His wife, before him, trembled. The children, small seeds, might at any instant be sown to all the Martian climes. The children looked up at him. His face was cold. "What's wrong?" asked his wife. "Let's get back on the rocket." "Go back to Earth?" "Yes! Listen!"
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Darling Adolf, 1976
They were waiting for him to come out. He was sitting inside the little Bavarian cafe with a view of the mountains, drinking beer, and he had been in there since noon and it was now two-thirty, a long lunch, and much beer, and they could see by the way he held his head and laughed and lifted one more stein with the suds fluffing in the spring breeze that he was in a grand humour now, and at the table with him the two other men were doing their best to keep up, but bad fallen long behind.
The Day it Rained Forever, 1959
The hotel stood like a hollowed dry bone under the very centre of the desert sky where the sun burned the roof all day. All night, the memory of the sun stirred in every room like the ghost of an old forest fire. Long after dusk, since light meant heat, the hotel lights stayed off. The inhabitants of the hotel preferred to feel their way blind through the halls in their never-ending search for cool air.
This one particular evening Mr. Terle, the proprietor, and his only boarders, Mr. Smith and Mr. Fremley, who looked and smelled like two ancient rags of cured tobacco, stayed late on the long veranda. In their creaking glockenspiel rockers, they gasped back and forth in the dark, trying to rock up a wind.
The Dead Man, 1945
Dead Men Rise Up Never, 1945
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Death and the Maiden, 1960
Far out in the country beyond the woods, beyond the world, really, lived Old Mam, and she had lived there for ninety years with the door locked tight, not opening for anyone, be it wind, rain, sparrow tapping or little boy with a pailful of crayfish rapping. If you scratched at her shutters, she called through:
"Go away. Death!"
"I'm not Death!" you might say.
But she'd cry back, "Death, I know you, you come today in the shape of a girl. But I see the bones behind the freckles!"
The Death of So-and-So, 2007
Diane de Forêt, 2002
The Dog, 2007
The Dog in the Red Bandana, 2010
Рассказ был впервые опубликован в журнале Гильдии сценаристов Америки "Written By" (writtenby.com), в летнем номере
The patient was in the hospital only three long sad days when on a Sunday, with all the doctors mostly absent and the nurses off doing something no one knew, that the remarkable thing happened.
He could hear the approach of the remarkable event moments before its arrival because of the explosions of laughter and the welcoming cries of patients far down the hall.
The Doll , 2008
Don't Get Technatal, 1939
There was a crowd pressed together in front of the shop.
Crowell light-footed it into that crowd, his face long and sad. He cast a glance back over one lean shoulder, muttered to himself, and widened a lane through the people, quick.
A hundred yards behind him a low shining black beetle car hummed to the kerb. A door clicked open, and the fat man with the grey-white face climbed heavily out, his expression one of silent, dead-pan hatred. Two bodyguards sat in the front seat.
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Dorian In Excelsis, 1996
Good evening. Welcome. I see you have my invitation in your hands. Decided to be brave, did you? Fine. Here we are Grab onto this."
The tall, handsome stranger with the heavenly eyes and the impossibly blond hair handed me a wineglass.
"Clean your palate," he said.
I took the glass and read the label on the bottle he held in his left hand. Bordeaux, it read. St. Emilion.
"Go on," said my host. "It's not poison. May I sit? And might you drink?"
"I might," I sipped, shut my eyes, and smiled. "You're a connoisseur. This is the best I've had in years. But why this wine and why the invitation? What am I doing here at Gray's Anatomy Bar and Grill?"
Downwind from Gettysburg, 1969
The Dragon, 1955
The night blew in the short grass on the moor; there was no other motion. It had been years since a single bird had flown by in the great blind shell of sky. Long ago a few small stones had simulated life when they crumbled and fell into dust. Now only the night moved in the souls of the two men bent by their lonely fire in the wilderness; darkness pumped quietly in their veins and ticked silently in their temples and their wrists.
Firelight fled up and down their wild faces and welled in their eyes in orange tatters. They listened to each other's faint, cool breathing and the lizard blink of their eyelids. At last, one man poked the fire with his sword.
The Dragon Danced at Midnight, 1966
The Dragon Who Ate His Tail, 2007
Drink Entire: Against the Madness of Crowds, 1976
Driving Blind, 1997
The Drothldo, 2008
Drummer Boy of Shiloh, 1960
The Ducker, 1943
The Dwarf, 1953
Aimee watched the sky, quietly.
Tonight was one of those motionless hot summer nights. The concrete pier empty, the strung red, white, yellow bulbs burning like insects in the air above the wooden emptiness. The managers of the various carnival pitches stood, like melting wax dummies, eyes staring blindly, not talking, all down the line.
Two customers had passed through an hour before. Those two lonely people were now in the roller coaster, screaming murderously as it plummeted down the blazing night, around one emptiness after another.