The Next in Line, 1947
It was a little caricature of a town square. In it were the following fresh ingredients: a candy-box of a bandstand where men stood on Thursday and Sunday nights exploding music; fine, green-patinated bronze-copper benches all scrolled and flourished; fine blue and pink tiled walks— blue as women's newly lacquered eyes, pink as women's hidden wonders; and fine French-clipped trees in the shapes of exact hatboxes. The whole, from your hotel window, had the fresh ingratiation and unbelievable fantasy one might expect of a French villa in the nineties. But no, this was Mexico! and this a plaza in a small colonial Mexican town, with a fine State Opera House (in which movies were shown for two pesos admission: Rasputin and the Empress, The Big House, Madame Curie, Love Affair, Mama Loves Papa).
The Night, 1947
Night Call, Collect, 1949
Night Meeting, 2007
Night Meeting (из "Марсианских хроник"), ?
The Night Sets, 1947
Night Train to Babylon, 1997
The Nineteenth, 2002
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No News, or What Killed the Dog?, 1994
It was a day of holocausts, cataclysms, tornadoes, earth-quakes, blackouts, mass murders, eruptions, and miscellaneous dooms, at the peak of which the sun swallowed the earth and the stars vanished.
But to put it simply, the most respected member of the Bentley family up and died.
Dog was his name, and dog he was.
The Bentleys, arising late Saturday morning, found Dog stretched on the kitchen floor, his head toward Mecca, his paws neatly folded, his tail not a-thump but silent for the first time in twenty years.
No Particular Night or Morning, 1951
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Nothing Changes, 1997