The Emissary. Рассказ Рэя Брэдбери

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Martin knew it was autumn again, for Dog ran into the house bringing wind and frost and a smell of apples turned to cider under trees. In dark clock-springs of hair, Dog fetched goldenrod, dust of farewell-summer, acornhusk, hair of squirrel, feather of departed robin, sawdust from fresh-cut cordwood, and leaves like charcoals shaken from a blaze of maple trees. Dog jumped. Showers of brittle fern, blackberry vine, marsh-grass sprang over the bed where Martin shouted. No doubt, no doubt of it at all, this incredible beast was October!

"Here, boy, here!"

And Dog settled to warm Martin's body with all the bonfires and subtle burnings of the season, to fill the room with soft or heavy, wet or dry odors of far-traveling. In spring, he smelled of lilac, iris, lawn-mowered grass; in Summer, ice-cream-mustached, he came pungent with firecracker, Roman candle, pinwheel, baked by the sun. But autumn! Autumn!

"Dog, what's it like outside?"

And lying there, Dog told as he always told. Lying there, Martin found autumn as in the old days before sickness bleached him white on his bed. Here was his contact, his carry-all, the quick-moving part of himself he sent with a yell to run and return, circle and scent, collect and deliver the time and texture of worlds in town, country, by creek, river, lake, down-cellar, upattic, in closet or coal-bin. Ten dozen times a day he was gifted with sunflower seed, cinder-path, milkweed, horse-chestnut, or full flame-smell of pumpkin. Through the loomings of the universe Dog shuttled; the design was hid in his pelt. Put out your hand, it was there. . . .

"And where did you go this morning?"

But he knew without hearing where Dog had rattled down hills where autumn lay in cereal crispness, where children lay in funeral pyres, in rustling heaps, the leaf-buried but watchful dead, as Dog and the world blew by. Martin trembled as his fingers searched the thick fur, read the long journey. Through stubbled fields, over glitters of ravine creek, down marbled spread of cemetery yard, into woods. In the great season of spices and rare incense, now Martin ran through his emissary, around, about, and home!

The bedroom door opened.

"That dog of yours is in trouble again."

Mother brought in a tray of fruit salad, cocoa, and toast, her blue eyes snapping.

"Mother . . ."

"Always digging places. Dug a hole in Miss Tarkin's garden this morning. She's spittin' mad. That's the fourth hole he's dug there this week."

"Maybe he's looking for something."

"Fiddlesticks, he's too darned curious. If he doesn't behave he'll be locked up."

Martin looked at this woman as if she were a stranger. "Oh, you wouldn't do that! How would I learn anything? How would I find things out if Dog didn't tell me?"

Mom's voice was quieter. "Is that what he does--tell you things?"

"There's nothing I don't know when he goes out and around and back, _nothing_ I can't find out from him!"

They both sat looking at Dog and the dry strewings of mold and seed over the quilt.

"Well, if he'll just stop digging where he shouldn't, he can run all he wants," said Mother.

"Here, boy, here!"

And Martin snapped a tin note to the dog's collar:


Dog barked. Mother opened the downstairs door and let him out.


Martin sat listening.

Far off and away you could hear Dog run in the quiet autumn rain that was falling now. You could hear the barkingjingling fade, rise, fade again as he cut down alley, over lawn, to fetch back Mr. Holloway and the oiled metallic smell of the delicate snowflake-interiored watches he repaired in his home shop. Or maybe he would bring Mr. Jacobs, the grocer, whose clothes were rich with lettuce, celery, tomatoes, and the secret tinned and hidden smell of the red demons stamped on cans of deviled ham. Mr. Jacobs and his unseen pink-meat devils waved often from the yard below. Or Dog brought Mr. Jackson, Mrs. Gillespie, Mr. Smith, Mrs. Holmes, _any_ friend or near-friend, encountered, cornered, begged, worried, and at last shepherded home for lunch, or tea-and-biscuits.

Now, listening, Martin heard Dog below, with footsteps moving in a light rain behind him. The downstairs bell rang, Mom opened the door, light voices murmured. Martin sat forward, face shining. The stair treads creaked. A young woman's voice laughed quietly. Miss Haight, of course, his teacher from school!

The bedroom door sprang open.

Martin had company.


Morning, afternoon, evening, dawn and dusk, sun and moon circled with Dog, who faithfully reported temperatures of turf and air, color of earth and tree, consistency of mist or rain, but--most important of all--brought back again and again and again-- Miss Haight.

On Saturday, Sunday and Monday she baked Martin orange-iced cupcakes, brought him library books about dinosaurs and cavemen. On Tuesday, Wednesday and Thursday somehow he beat her at dominoes, somehow she lost at checkers, and soon, she cried, he'd defeat her handsomely at chess. On Friday, Saturday and Sunday they talked and never stopped talking, and she was so young and laughing and handsome and her hair was a soft, shining brown like the season outside the window, and she walked clear, clean and quick, a heartbeat warm in the bitter afternoon when he heard it. Above all, she had the secret of signs, and could read and interpret Dog and the symbols she searched out and plucked forth from his coat with her miraculous fingers. Eyes shut, softly laughing, in a gypsy's voice, she divined the world from the treasures in her hands.

And on Monday afternoon, Miss Haight was dead.

Martin sat up in bed, slowly.

"Dead?" he whispered.

Dead, said his mother, yes, dead, killed in an auto accident a mile out of town. Dead, yes, dead, which meant cold to Martin, which meant silence and whiteness and winter come long before its time. Dead, silent, cold, white. The thoughts circled round, blew down, and settled in whispers.

Martin held Dog, thinking; turned to the wall. The lady with the autumn-colored hair. The lady with the laughter that was very gentle and never made fun and the eyes that watched your mouth to see everything you ever said. The-other-half-of-autumn-lady, who told what was left untold by Dog, about the world. The heartbeat at the still center of gray afternoon. The heartbeat fading .

"Mom? What do they do in the graveyard, Mom, under the ground? Just lay there?"

"_Lie_ there."

"Lie there? Is that all they do? It doesn't sound like much fun."

"For goodness sake, it's not made out to be fun."

"Why don't they jump up and run around once in a while if they get tired lying there? God's pretty silly--"


"Well, you'd think He'd treat people better than to tell them to lie still for keeps. That's impossible. Nobody can do it! I tried once. Dog tries. I tell him, 'dead Dog!' He plays dead awhile, then gets sick and tired and wags his tail or opens one eye and looks at me, bored. Boy, I bet sometimes those graveyard people do the same, huh, Dog?"

Dog barked.

"Be still with that kind of talk!" said Mother.

Martin looked off into space.

"Bet that's exactly what they do," he said.


Autumn burnt the trees bare and ran Dog still farther around, fording creek, prowling graveyard as was his custom, and back in the dusk to fire off volleys of barking that shook windows wherever he turned.

In the late last days of October, Dog began to act as if the wind had changed and blew from a strange country. He stood quivering on the porch below. He whined, his eyes fixed at the empty land beyond town. He brought no visitors for Martin. He stood for hours each day, as if leashed, trembling, then shot away straight, as if Someone had called. Each night he returned later, with no one following. Each night, Martin sank deeper and deeper in his pillow.

"Well, people are busy," said Mother. "They haven't time to notice the tag Dog carries. Or they mean to come visit, but forget."

But there was more to it than that. There was the fevered shining in Dog's eyes, and his whimpering tic late at night, in some private dream. His shivering in the dark, under the bed. The way he Sometimes stood half the night, looking at Martin as if some great and impossible secret was his and he knew no way to tell it save by savagely thumping his tail, or turning in endless circles, never to lie down, spinning and spinning again.

On October thirtieth, Dog ran out and didn't come back at all, even when after supper Martin heard his parents call and call. The hour grew late, the streets and sidewalks stood empty, the air moved cold about the house and there was nothing, nothing.

Long after midnight, Martin lay watching the world beyond the cool, clear glass windows. Now there was not even autumn, for there was no Dog to fetch it in. There would be no winter, for who could bring the snow to melt in your hands? Father, Mother? No, not the same. They couldn't play the game with its special secrets and rules, its sounds and pantomimes. No more seasons. No more time. The go-between, the emissary, was lost to the wild throngings of civilization, poisoned, stolen, hit by a car, left somewhere in a culvert. . . .

Sobbing, Martin turned his face to his pillow. The world was a picture under glass, untouchable. The world was dead.


Martin twisted in bed and in three days the last Hallowe'en pumpkins were rotting in trash cans, papier-machй skulls and witches were burnt on bonfires, and ghosts were stacked on shelves with other linens until next year.

To Martin, Hallowe'en had been nothing more than one evening when tin horns cried off in the cold autumn stars, children blew like goblin leaves along the flinty walks, flinging their heads, or cabbages, at porches, soap-writing names or similar magic symbols on on icy windows. All of it as distant, unfathomable, and nightmarish as a puppet show seen from so many miles away that there is no sound or meaning.

For three days in November, Martin watched alternate light and shadow sift across his ceiling. The fire-pageant was over forever; autumn lay in cold ashes. Martin sank deeper, yet deeper in white marble layers of bed, motionless, listening always listening. . . .

Friday evening, his parents kissed him good-night and walked out of the house into the hushed cathedral weather toward a motion-picture show. Miss Tarkins from next door stayed on in the parlor below until Martin called down he was sleepy, then took her knitting off home.

In silence, Martin lay following the great move of stars down a clear and moonlit sky, remembering nights such as this when he'd spanned the town with Dog ahead, behind, around about, tracking the green-plush ravine, lapping slumbrous streams gone milky with the fullness of the moon, leaping cemetery tombstones while whispering the marble names; on, quickly on, through shaved meadows where the only motion was the off-on quivering of stars, to streets where shadows would not stand aside for you but crowded all the sidewalks for mile on mile. Run now run! chasing, being chased by bitter smoke, fog, mist, wind, ghost of mind, fright of memory; home, safe, sound, snug-warm, asleep. . . .

Nine o'clock.

Chime. The drowsy clock in the deep stairwell below. Chime.

Dog, come home, and run the world with you. Dog, bring a thistle with frost on it, or bring nothing else but the wind. Dog, where _are_ you? Oh, listen, now, I'll call.

Martin held his breath.

Way off somewhere--a sound.

Martin rose up, trembling.

There, again--the sound.

So small a sound, like a sharp needle-point brushing the sky long miles and many miles away.

The dreamy echo of a dog--barking.

The sound of a dog crossing fields and farms, dirt roads and rabbit paths, running, running, letting out great barks of steam, cracking the night. The sound of a circling dog which came and went, lifted and faded, opened up, shut in, moved forward, went back, as if the animal were kept by someone on a fantastically long chain. As if the dog were running and someone whistled under the chestnut trees, in mold-shadow, tar-shadow, moon-shadow, walking, and the dog circled back and sprang out again toward home.

Dog! Martin thought, oh Dog, come home, boy! Listen, oh, listen, where you _been?_ Come on, boy, make tracks!

Five, ten, fifteen minutes; near, very near, the bark, the sound. Martin cried out, thrust his feet from the bed, leaned to the window. Dog! Listen, boy! Dog! Dog! He said it over and over. Dog! Dog! Wicked Dog, run off and gone all these days! Bad Dog, good Dog, home, boy, hurry, and bring what you can!

Near now, near, up the street, barking, to knock clapboard housefronts with sound, whirl iron cocks on rooftops in the moon, firing off volleys--Dog! now at the door below. . . .

Martin shivered.

Should he run--let Dog in, or wait for Mom and Dad? Wait? Oh, God, wait? But what if Dog ran off again? No, he'd go down, snatch the door wide, yell, grab Dog in, and run upstairs so fast, laughing, crying, holding tight, that . . .

Dog stopped barking.

Hey! Martin almost broke the window, jerking to it.

Silence. As if someone had told Dog to hush now, hush, hush.

A full minute passed. Martin clenched his fists.

Below, a faint whimpering.

Then, slowly, the downstairs front door opened. Someone was kind enough to have opened the door for Dog. Of course! Dog had brought Mr. Jacobs or Mr. Gillespie or Miss Tarkins, or . . .

The downstairs door shut.

Dog raced upstairs, whining, flung himself on the bed.

"Dog, Dog, where've you _been_, what've you _done!_ Dog, Dog!"

And he crushed Dog hard and long to himself, weeping. Dog, Dog. He laughed and shouted. Dog! But after a moment he stopped laughing and crying, suddenly.

He pulled back away. He held the animal and looked at him, eyes widening.

The odor coming from Dog was different.

It was a smell of strange earth. It was a smell of night within night, the smell of digging down deep in shadow through earth that had lain cheek by jowl with things that were long hidden and decayed. A stinking and rancid soil fell away in clods of dissolution from Dog's muzzle and paws. He had dug deep. He had dug very deep indeed. That _was_ it, wasn't it? wasn't it? _wasn't_ it!

What kind of message was this from Dog? What could such a message mean? The stench--the ripe and awful cemetery earth.

Dog was a bad dog, digging where he shouldn't. Dog was a good dog, always making friends. Dog loved people. Dog brought them home.

And now, moving up the dark hall stairs, at intervals, came the sound of feet, one foot dragged after the other, painfully, slowly, slowly, slowly.

Dog shivered. A rain of strange night earth fell seething on the bed.

Dog turned.

The bedroom door whispered in.

Martin had company.


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хоран, 2 июля 2015

А я вот согласна с мнением , что он все это время откапывал учительницу.

елена, 18 сентября 2014

сколько слов сколько слов. кладбище домашних животных.. он звал собаку она и пришла к нему из мира мертвых и по приглашению на табличке привела гостей, где написано, что учительницу?! а?

Mary:), 4 мая 2013

Вауууу! Это просто что-то с чем-то:) я в восторге!

таня, 25 апреля 2013

Учительница пришла!в канун дня всех святых по легендам мертвые оживают и возвращаются в мир живых на одну ночь!

Воробей, 24 марта 2013

Я не думаю, что мальчик умер, ведь в рассказе не сказано, что он скоро умрет. Наоборот, сказано, что лежать ему осталось еще 3 месяца, если я ничего не путаю. Первая мысль, которая пришла в конце рассказа, - что к мальчику пришел убийца. А как можно было понять, что к нему пришла учительница ?

Павел, 28 ноября 2012

Ру, в оригинале слова "гости" вообще нет. Там Martin had company. "Пришли гости" было употреблено переводчиком как устойчивое выражение. "Прийти в гости" может даже один человек.

Ру, 28 ноября 2012

Согласен с Вячеславом! Скорее всего, мальчик умер, и в этот миг к нему в загробной жизни возвращается его мертвый пес, на табличке которого было приглашение в гости... Ведь Бредбери написал "пришли гости", а не просто "гость", хотя.. Может, вернулся только пес с "гостями" из мира мертвых.

Павел, 26 июня 2012

Ну так Кинг на Брэдбери и вырос. Чего не скрывал.

Mr. Shark, 26 июня 2012

Насколько отличаются рассказы Брэдбери один от другого. Этот, например, даст фору любому рассказу Кинга.

вячеслав, 11 июня 2012

А пришла СМЕРТЬ.
Я бы очень хотел ошибиться,но ,однако, так.

Павел, 3 октября 2011

Зу, учительница к нему пришла, откопанная собакой.

Зу, 3 октября 2011

я наверно совсем глупая, не поняла концовку
какие гости там в конце к нему шли и что с псом?

парампам, 20 августа 2011

тотторо, почему вы решили, что торри погиб? разве он не проводил все это время на кладбище, откапывая девушку?

тотторо, 29 мая 2011

Тори к сожалению погиб, и привел за собой

Сергей, 6 мая 2011

Даже не знаю, как описать то, что ощутил...гениально......нет не сентиментально (посколько сентиментальность - это дешевая фикция душевной боли)...а действительно трагично и безумно точно! Который раз - БРАВО ГЕНИЮ СВОЕГО ДЕЛА!

sg, 1 октября 2010

ну... а что если не учительница приходит, а кто-то совсем другой? если кто-то помешал ей и пришел вместо нее? может, Пес хотел его предупредить даже...

а все-таки, по-моему рассказ совсем не страшного типа - он только вопросы ставит.

Оля, 21 сентября 2010

Очень -очень сильный рассказ.. мм правдоподобная фантастика в предверие октября

Хром, 22 марта 2008

мне кажется что этот рассказ имеет первообразный пересказ про кецалькоатль и тецкатлипока, но вероятно это только мои смешные мысли : ). а может и нет...

Паша, 29 февраля 2008

Неужели Мартин был прав???

gregory., 5 апреля 2007

Прекрасный рассказ! Особенно тронул конец, восхитительно!

Аиканаро, 29 января 2007

Просто нет слов! это очень хороший рассказ

Эля, 11 ноября 2006

Очень поэтичный рассказ, трогательный и сентиментальный с концовкой достойной фантаста.

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