I Get the Blues When it Rains (A Remembrance), 1980 | |
I Got Something You Ain't Got, 2007 | |
I See You Never, 1947The soft knock came at the kitchen door, and when Mrs. O'Brian opened it, there on the back porch were her best tenant, Mr. Ramirez, and two police officers, one on each side of him. Mr. Ramirez just stood there, walled in and small. "Why, Mr. Ramirez!" said Mrs. O'Brian. Mr. Ramirez was overcome. He did not seem to have words to explain. He had arrived at Mrs. O'Brian's rooming house more than two years earlier and had lived there ever since. He had come by bus from Mexico City to San Diego and had then gone up to Los Angeles. There he had found the clean little room, with glossy blue linoleum, and pictures and calendars on the flowered walls, and Mrs. O'Brian as the strict but kindly landlady. During the war, he had worked at the airplane factory and made parts for the planes that flew off somewhere, and even now, after the war, he still held his job. From the first, he had made big money. He saved some of it, and he got drunk only once a week-a privilege that, to Mrs. O'Brian's way of thinking, every good workingman deserved, unquestioned and unreprimanded. | |
I Sing the Body Electric!, 1969Grandma! I remember her birth. Wait, you say, no man remembers his own grandma's birth. But, yes, we remember the day that she was born. For we, her grandchildren, slapped her to life. Timothy, Agatha, and I, Tom, raised up our hands and brought them down in a huge crack! We shook together the bits and pieces, parts and samples, textures and tastes, humors and distillations that would move her compass needle north to cool us, south to warm and comfort us, east and west to travel round the endless world, glide her eyes to know us, mouth to sing us asleep by night, hands to touch us awake at dawn. | |
I Suppose You Are Wondering Why We Are Here?, 1984 | |
I Wonder What's Become of Sally, 1997 | |
I'm Not So Dumb!, 1945 | |
I, Rocket, 1944 | |
Icarus Montgolfier Wright, 1956 | |
If MGM Is Killed, Who Gets the Lion?, 1997 | |
If Paths Must Cross Again, 2009 | |
Illumination (из "Вина из одуванчиков"), ? | |
The Illustrated Man (другой рассказ!), 1950 | |
The Illustrated Woman, 1961 | |
In a Season of Calm Weather, 1957George and Alice Smith detrained at Biarritz one summer noon and in an hour had run through their hotel on to the beach into the ocean and back out to bake upon the sand. To see George Smith sprawled burning there, you'd think him only a tourist flown fresh as iced lettuce to Europe and soon to be transhipped home. But here was a man who loved art more than life itself. "There..." George Smith sighed. Another ounce of perspiration trickled down his chest. Boil out the Ohio tap-water, he thought, then drink down the best Bordeaux. Silt your blood with rich French sediment so you'll see with native eyes! Read comments (1) | |
In Memoriam, 2002 | |
In the Eye of the Beholder, 2008 | |
The Inspired Chicken Motel, 1969 | |
Interim, 1947 | |
Interim (Time Intervening), 1947Very late on this night, the old man came from his house with a flashlight in his hand and asked of the little boys the object of their frolic. The little boys gave no answer, but tumbled on in the leaves. The old man went into his house and sat down and worried. It was three in the morning. He saw his own pale, small hands trembling on his knees. He was all joints and angles, and his face, reflected above the mantel, was no more than a pale cloud of breath exhaled upon the mirror. | |
Interval in Sunlight, 1954 | |
Intoductions, 2001 | |
Introduction, 2003Read comments (1) | |
Introduction: Alive and Kicking and Writing, 2004 | |
Introduction: Drunk, and in Charge of a Bicycle, 1980 | |
Introduction: Watching and Writing, 2009 | |
Invisible Boy, 1945She took the great iron spoon and the mummified frog and gave it a bash and made dust of it, and talked to the dust while she ground it in her stony fists quickly. Her beady gray bird-eyes nickered at the cabin. Each time she looked, a head in the small thin window ducked as if she'd fired off a shotgun. "Charlie!" cried Old Lady. "You come outa there! I'm fixing a lizard magic to unlock that rusty door! You come out now and I won't make the earth shake or the trees go up in fire or the sun set at high noon!" | |
The Irritated People, 1947 | |
Is That You, Herb?, 1942 | |
The Island, 1952 | |
It Burns Me Up, 1944 | |
It's Not the Heat, It's the Hu--, 1940 |